![]() ![]() If you’re just making a few stamps, you can use your hands and roll the clay into coils until it softens. The pasta machine is used to soften the clay and to blend the colored clays together. (both available at craft stores or garage sales). You should also buy a 6-inch long cutting blade and an inexpensive pasta machine You can substitute this roller with an 8-inch piece of plastic pipe. You’ll need a clean, non-porous surface to work on, and a Plexiglas roller made just for polymer. In a tan color, so I combine it with about 25% of another color of polymer clay if I want to change the color. Sculpey has a product called “Super Sculpey” which I use because it is a strong, shatter-resistant material. There are several brands of polymer clay available (Sculpey, Fimo or Premo), all of which are good. I keep some polymer clay in a plastic bag in my purse so that I can quickly capture a texture at any time!įor more fabulous mark making ideas, check out Amy Sanders' DVD Creative Forming with Custom Texture in the Ceramic Arts Network Shop! This property also makes polymer clay an ideal material for making impressions from a variety of objects, including antique furniture, kitchen tools, buttons, Indian Since it’s not water based, the clay doesn’t dry out. Polymer clay does not crack or crumble as easily as stoneware or earthenware clays, and scraps canīe easily recycled. ![]() You can then take those stamps, press them into another piece of polymer clay, and quickly get a negative version of your designs. Polymer stamps, by comparison, are ready inĪbout a half hour. When making a stamp using stoneware, porcelain or any other type of regular ceramic clay, you need to let it dry and then bisque fire it before you can put it to use, which could take several days to a week. Quickly so I could share them with my students and workshop participants and found that polymer clay (available at craft stores) makes a clean, crisp impression that can be cured and ready for use in thirty minutes. For years, I carved stamps from small plaster blocks or leather-hard clay that was then bisque fired before use. Stamps enhance your work by adding interesting textures to your pieces and depth to your glazes. In today's post, Virginia explains this process. After today’s feature, you’ll be able to make them too. And I plan to make some of my own one of these days. Virginia had an assortment of her lovely little homemade polymer clay stamps for sale at the workshop and I couldn’t resist purchasing a few to take home. I saw Virginia Cartwright demonstrating at a Potters Council (now the International Ceramic Artists Network–ICAN) workshop a couple years back and one of the brilliant little nuggets of information that I came away with was the idea of making clay texture stamps out of polymer clay. Pottery Making Illustrated Submission Guidelines.Pottery Making Illustrated's Print Mailing Schedule.Ceramics Monthly's Print Mailing Schedule.Workhouse Clay International ICAN Merit Award.ICAN Making a Difference in Ceramics Award.Annual National K-12 Ceramic Exhibition Award.As a result, I figured out how to make my own ceramic stamp pad using materials I had on hand in my studio. I needed a quick and easy way to stamp each piece with a number. I developed this rubber-stamping process when working on a large-scale project that required 500 signed pieces. The imperfection of the print is charming and the process is so simple–great for the surface of ceramics. If you are like me, you have a collection of unused rubber stamps that have been waiting for just the right project. ![]() ![]() I have loved rubber stamps for as long as I can remember, always somehow finding my way to rubber stamp displays at art supply stores. A faculty member at the Rhode Island School of Design, and an internationally shown ceramics artist, Hatch introduces innovative techniques using a variety of materials. Each project is outlined with step-by-step instructions, along with hand-drawn illustrations and inspirational photographs of Hatch’s finished pieces. In New Ceramic Surface Design (Quarry Books, 2015), Molly Hatch helps you take your ceramic project to the next level with easy ideas for drawing, printing, painting, and stenciling on clay surfaces. ![]()
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